People’s Radio in Rogers Park

I’m a little bummed that I didn’t know about this project that happened in my Chicago neighborhood this past weekend – People’s Radio at Mess Hall:

People’s Radio will be a fully functioning radio station aimed at promoting alternative and local points of view, non-mainstream music, creating a dialogue about the “Commons”, and to demystify radio.

We will be webstreaming at

http://giss.tv:8001/messhall.ogg

or, if you are in the vicinity, during the festival you can tune in at 104.7 FM

This is the culmination of two weekends of workshops conducted by members of Radios Populares. (www.radiospopulares.org) where people learned how radio works, how to build antennas, and how to set up a webstream.

I intended to get over to the Glenwood Arts Fest, but as many intentions go, it didn’t happen.

The webstream is down already and I’ll check out 104.7 FM when I get home, though I’d guess it’s no longer on the air either. I don’t know what kind of power they were using, if it was Part 15 (and therefore legal to use without a license) or higher. In any event, using a radio broadcast for short durations at events is a very effective use of the technology that mitigates many of the complications (and risks, if you’re using more than Part -15 power) associated with running regular or constant broadcasts, while also concentrating energies to demonstrate the power of broadcasting, especially when made accessible.

I hope the event was successful and might see a repeat.

Free Radio Berkeley Video: How To Make a Radio Station

The venerable Free Radio Berkeley has a (relatively) new video demonstrating all the parts in the air chain of a micropower unlicensed radio station, fresh from their Oakland, CA shop:

How To Make a Radio Station from Free Radio on Vimeo.

Is The End of Television The Beginning of a New Resistance?

I’ve discussed the idea of reclaiming the analog TV spectrum when the digital changeover happens in February, and talked to Free Radio Berkeley’s Stephen Dunifer about his unlicensed TV transmitter kits. Now it looks like someone is ready to put the idea into action with The End of Television project.

The project is accepting video submissions on miniDV and VHS of programs that will air on VHF channel 2 in Pittsburgh, PA on the day of analog TV turnoff, Feb. 17, 2009.

Of course there’s a small element of risk in pre-announcing the broadcast, but the flip-side is that it’s difficult to pull of a collaborative art project without some degree of publicity. I hope that the folks behind the project don’t intend to broadcast from the address they’ve listed for sending the videos. Yet, if it’s just a one-day broadcast the risks are pretty slim, especially since I’m guessing the FCC will have it’s hands pretty full that day depending on how smoothly the changeover goes. I wonder how many phone calls field offices will be taking from puzzled viewers whose analog sets all of a sudden quit working (except for channel 2).

It would be great if TV microbroadcasters across the country would take the abandoned analog airwaves on Feb. 17 as a coordinated act of resistance against planned obsolescence and the accompanying handover of free but enormously lucrative digital spectrum to the nation’s major broadcasters (who then tried to lobby to keep their analog channelspace, too).

I’ve already exchanged emails with Ian, one of the principals behind the project, and plan to do an email interview for the blog, followed up with a phone interview for the radioshow closer to Feb. 17.

Tom Roe on free103point9′s New FM Station and Microradio Past

Tom Roe, program director for free103point9, was my guest for last week’s radioshow where we discussed that organization’s approach to transmission arts and how they were able to obtain a rare noncommercial full-power FM broadcast license. That show is now available for downloading or listening online.

In the second half of the live broadcast version of the show Tom and I talked a little about the fact that free103point9 actually started out as an unlicensed micropower station in 1997, before deciding to go online only. This makes free103point9 one of only two contemporary broadcast stations to have roots in unlicensed radio. The other one is shortwave station WBCQ whose operator, Allan Weiner, was the man behind the infamous Radio New York International, a station which in 1987 attempted to emulate European pirates by operating off-shore. Weiner wrote a memoir of his pirate radio days called Access to the Airwaves: My Fight for Free Radio. Unfortunately the publisher, Loompanics Press, went out of business in 2006, although it looks like new and used copies are still available online.

Fully indulging in the tangent, after the jump you can watch a compilation video of news coverage of Radio New York International from 1987.
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